Based on Michael Stelzner's interview with Shannon McKinstrie on the Social Media Marketing Podcast. Shannon is an Instagram growth strategist, host of the Good Content podcast, founder of the Reels Lab membership, and a returning Social Media Marketing World speaker.
Shannon's clients chase the best idea, the best hook, the fancy camera. Her instruction: do the reverse.
Unpolish it. Polish creates distance — television is polished. A video shot in your car on an iPhone reads as a friend. The shift traces to a trust deficit: people got burned by immaculate marketing, and 2020–2021's endless "value, value, value" stripped the human out of the feed. The pendulum has swung back to lived-in, unscripted moments.
Polished content puts a screen between you and the viewer. Care about your editing, but drop the production standard.
The fastest route to a save or comment: make the viewer feel seen. Call out identity directly, in the words they use for themselves:
Instead of "homeowners," say "2027 brides getting married in D.C." — a scroll-stopper for the person it's about.
Instead of "Instagram coach," add "mom of two, type B, not organized." Response: "okay, she gets me."
Don't forget the sub-hook — it answers "why do they care?", usually your location or specific experience.
If you walked into a room where you knew nobody, what do you wish someone would ask you about? That's your content.
Find their language in your own clients' words first. From zero, read competitors' testimonials, then check TikTok's Creator Search Insights.
A student gained 30,000 followers from one hook edit. Most of us were trained never to talk about ourselves — Shannon's hooks do the opposite: "how I," not "how to."
Tips for homeowners this fall.
Tips for women who just bought their first home this fall.
Self and viewer, both handled in three seconds.
Shannon thinks in three-second increments. Her talk-to-camera format wins the next three, in six moves — all built in Instagram's free Edits app:
Anchor the hook. Text hook, fixed at the top for the whole video.
Type the sub-hook. Typewriter effect underneath, kept under two seconds.
Pop up proof. A screenshot, DM, or stat, arriving at the 2.5–3 second mark.
Keep a prop in frame. A mug, glasses, a cat — a gateway to comments.
Layer in cutouts. Simple element stickers, background stripped, scattered for taste.
Add mid-video "boops." Cut the tangent, type it over her head as a fun fact instead.
Her raw files run ten minutes. First move: "cut silences." Second: a ruthless buddy — when her husband says "you lost me," she cuts it and puts it in the caption instead.
The visual hook is added in post, not on set. Nothing here requires a different camera or setup.
Trial Reels go to non-followers only — a low-risk place to test anything.
Edit. Finish the day's Reel.
Post to Trials, ~noon. Non-followers only. Trials first.
Post to feed, ~3pm. Same Reel, peak audience time.
Retention is the number to watch. Where did they leave? That's where the next edit happens.
Michael's rant-heavy Trial video flopped. He cut the rant, reposted — it took off, and that's the version he pushed to his feed.
Pick one format that's easiest for you to make — carousel, B-roll with text, talk-to-camera, or a photo dump — and commit to it.
Write down what you wish someone would ask you about. That's your first topic.
List five labels your audience uses for themselves, and add one to your bio and your next hook.
Rewrite your last three "how to" hooks as "how I" hooks, and write a sub-hook for each.
In Instagram Edits: fix the hook at the top, type the sub-hook, place one proof overlay at the three-second mark.
Run "cut silences" on your next clip, then hand it to one honest person and cut where they say "you lost me."
Post your next Reel to Trials a few hours before your feed. Compare the retention graphs.
Follow Shannon McKinstrie on Instagram: @shannonmckinstrie. Her podcast, Good Content, drops every Tuesday.
Marketers and creators who actually get results, with tactics you can use the week you get home. Shannon McKinstrie returns to speak, alongside dozens more.